Anxiety, originally commissioned for the ‘Big Anxiety Project’ in 2017. Performed live for the opening and as part of a symposium regarding performance anxiety.

The Auction was written for ‘Plenty Serious Talk Talk’ in 2018 to address the commodification of intellectual property in the arts.

Colour Chart Hijinx was written for director Rosie Dennis as part of a collaborative creative process of Urban Theatre Project’s ‘Simple Infinity’ (2016).

Family Matters was featured at the end of a performance piece by the same name as part of a greater season titled ‘Action Stations’ curated by Natalie Cursio and presented at Campbelltown Arts Centre in 2011. Inspired by the infamous ‘blackfella grapevine.’

My Grandmother’s Country represented the opening gambit of ‘Briwyant’ presented by Performance Space from 2010-12. Just a dot - also written for ‘Briwyant’ score.

The Legacy was commissioned for the opening of the new NAISDA premises in 2013. The poem was printed onto a tea towel and subsequently performed by many NAISDA developing artists.

We All Remember, a part of Imprint at the Garma Festival 2014, this piece is about memory residing in places other than your brain – your body and your DNA. Local children feature in the video of this community-based project.

The Fix its, from ‘Behind the zig zag’ written in 2009, inspired by the concept of electrical malfunction as it presents itself in the human body by way of verbal dysphasia.